Blind A/B

Stop choosing
the louder file.

Two versions of the same mix. You keep picking the second one — because it's 0.8 dB louder, not because it's better.

Five seconds · no audio required

Below are two renders of the same song. One of them is louder. Decide which one you'd keep — then open the answer.

A Unnamed render
B Unnamed render
Which one was better?

Neither. They are the same render. B was played back 0.8 dB louder — the only difference between those two panels is a gain change, and you can see it in the bar heights once you know to look.

That much level never registers as volume. It registers as better — more open, more present, more finished. It is the single most reliable way to pick the wrong mix, and it is the first thing Blind A/B measures out.

One file · macOS, Windows, Linux · runs offline

What it takes away

Three things decide the winner before your ears get a vote.

Blind A/B removes all three, then gets out of the way. What's left is the sound.

The name

You trust the newer file

Filenames are hidden and the A/B sides are shuffled on every load. You can't know which one is "v7" until you've already decided.

The level

Louder always wins

Real BS.1770 K-weighted, gated LUFS measurement, matched attenuate-only — the quieter file is never pushed up to fake a win.

The offset

You're comparing different bars

Two-stage cross-correlation finds any start offset between the renders and locks them to the sample, so you always hear the same moment.

How a pass goes

Four steps, one song.

  1. 01

    Load two mixes

    WAV, AIFF or MP3. They're measured, matched and aligned before anything plays.

  2. 02

    Listen

    Switch freely, or let it flip for you. No labels, no numbers, no hints.

  3. 03

    Catch & drag

    Press SPACE to catch whatever is playing as a glowing orb, then drop it on a section to lock that section's pick. Verse, chorus, bridge — decided one at a time.

  4. 04

    Reveal

    See which mix won each section, audition the comp you just built out of your blind picks, and render it out.

Where the audio goes

Nowhere.

Every decode, measurement and render happens on your machine. There is not one network request at runtime — not analytics, not a licence check, not a font.

Which means you can load a record that isn't out yet. And you don't have to take that on faith: pull your Wi-Fi and the tool behaves exactly the same.

The details

Format One self-contained HTML file — double-click it
Platforms macOS, Windows, Linux
Requires Any modern browser with Web Audio — Chrome, Safari, Edge, Firefox
Input WAV, AIFF, MP3
Export WAV — 32-bit float, 24-bit or 16-bit, at the source's native sample rate
Safety True-peak warnings for inter-sample clipping
Also included Native macOS app — universal, macOS 11.3+
Install None. No account, no sign-in, no dependencies
Sales Final — an instant download, so no refunds. Broken download or won't run? Email me.

Find out which mix actually won.

Built by a working producer who got tired of picking the louder file.

All sales final · if it won't run, email me and I'll sort it out